A massive Brinks truck careens around a corner in LA’s fashion district, destroying the quiet of the mid-January afternoon. The armored car accelerates to full speed, blasting through a floor-to-ceiling sheet glass window and into the center of a bank. Wood, plaster and shards of glass spray across the floor. As the dust settles, writer/director Andrew Niccol (Gattaca, Lord of War) yells, “Cut!” Later in the afternoon, Justin Timberlake and Amanda Seyfried pull open the bank’s vault and pass out strange silver rectangles embedded with digital clocks to a swarming crowd of extras. Timberlake yells, encouraging the mob to act quickly, but take as much time as they need. Welcome to the world of In Time.
While visiting the set of the film, which hits theaters October 28, I got to participate in group interviews with Niccol, producer Eric Newman, Timberlake and Seyfried, learn about the film’s unique high-concept, and watch nine-time Oscar nominated cinematographer, Roger Deakins, as he shot his first film on digital. Read on for a write up of the set visit and the 20 things to know about the film.
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Genre: Documentary | Length: 75 minutes | Land/Year: Denmark, Finland, Sweden, Italy/2010
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